Lyrics and Existence in Scientific and Poetic Knowledge
https://doi.org/10.30727/0235-1188-2020-63-3-56-74
Abstract
About the Author
Julia S. MorkinaRussian Federation
Julia S. Morkina – Ph.D. in Philosophy, Senior Research Fellow, Department of Philosophical Problems of Creativity, Institute of Philosophy of the Russian Academy of Sciences.
Moscow
References
1. Barfield O. (1988) Saving the Appearances: A Study in Idolatry (2 nd ed.). Middletown, CT: Wesleyan University Press.
2. Bergson H. (1992) An Essay on the Immediate Data of Consciousness. In: Bergson H. Collected Works (Vol. 1). Moscow: Moskovskiy klub (in Russian).
3. Beskova I.A. (2017) Logic of Formation and Realization of Creative Abilities. In Smirnova N.M. & Beskova I.A. (Eds.) Philosophy of Creativity. Creativity and the Life World of a Person (Vol.3, pp. 130–168). Moscow: IIntell (in Russian).
4. Beskova I.A. (2018) Logic of Creative Transformation: A Non-Dual Approach. Filosofksya shkola. No. 6, pp. 48–60 (in Russian).
5. Beskova I.A. (2019) Self-Transformation of Personality in the Creative Process. Chelovek. No. 3, pp. 50–60 (in Russian).
6. Beskova I.A., Knyazeva E.N., & Beskova D.A. (2011) Nature and Images of Corporeality. Moscow: Progress-Tradition (in Russian).
7. Bibler V.S. (1994) From Poems (What I Remembered). Moscow: Alef Publishing (in Russian).
8. Gorelov A.A. (1987) On the Role of Visual Images in Scientific Knowledge. In: Problems of Scientific Search (pp. 104–121). Moscow: Institute of Philosophy, USSR Academy of Sciences (in Russian).
9. Gornfeld A. (1916). On the Interpretation of the Artwork. In: Issues of the Theory and Psychology of Creativity (Vol. 7, pp. 1–30). Kharkov (in Russian).
10. Husserl E. (2000) Logical Investigations. Cartesian Meditations. Minsk: Harvest; Moscow: AST (Russian translation).
11. Ivin A.A. (2013) “…and genius, friend of paradoxes…” In: The Epistemology of Creativity (pp. 48–81). Moscow: Kanon+; Reabilitatsiya (in Russian).
12. Lezin B.A. (1911) Artistic Creativity as a Special Type of Economy of Thought. In: Issues of the Theory and Psychology of Creativity (Vol. 1, pp. 202–243). Kharkov: Mirnyy trud (in Russian).
13. Lotman Yu.M. (2015) Structure of the Artistic Text. Analysis of the Poetic Text. Saint Petersburg: Azbuka (in Russian).
14. Novoselov M.M. (2013) Abstraction and Faces of Creativity (Thoughts Aloud). In: The Epistemology of Creativity (pp. 82–103). Moscow: Kanon+; Reabilitatsiya (in Russian).
15. Ovsyaniko-Kulikovsky D.N. (1911a) From Lectures on the Basics of Artistic Creativity. In: Issues of the Theory and Psychology of Creativity (Vol. 1, pp. 1–20). Kharkov: Mirnyy trud (in Russian).
16. Ovsyaniko-Kulikovsky D.N. (1911b). Linguistic Theory of the Origin of Art and the Evolution of Poetry. In: Issues of the Theory and Psychology of Creativity (Vol. 1, pp. 20–32). Kharkov: Mirnyy trud (in Russian).
17. Potebnya A.A. (1976) Aesthetics and Poetics. Moscow: Iskusstvo (in Russian).
18. Potebnya A.A. (1990) Theoretical Poetics. Moscow: Vysshaya shkola (in Russian).
19. Raynov T. (1911) Lyric of Scientific and Philosophical Creativity. Issues of the Theory and Psychology of Creativity (Vol. 1, pp. 294–316). Kharkov: Mirnyy trud (in Russian).
20. Richards I.A. (1936) The Philosophy of Rhetotic. New York: Oxford University Press.
21. Schütz A. (2004) Selected: World, Glowing with Meaning. Moscow: ROSSPEN (Russian translation).
22. Smirnova N.M. (2017) Meaning and Creativity. Moscow: Kanon+; Reabilitatsiya (in Russian).
23. Suvorov O.V. (2010) Apperception. In: Stepin V.S. (Ed.) New Philosophical Encyclopedia (Vol. 1, pp. 152–153). Moscow: Mysl’ (in Russian).
24. Wheelwright P. (1962) Metaphor and Reality. Bloomington: Indiana University Press.
Review
For citations:
Morkina J.S. Lyrics and Existence in Scientific and Poetic Knowledge. Russian Journal of Philosophical Sciences. 2020;63(3):56-74. (In Russ.) https://doi.org/10.30727/0235-1188-2020-63-3-56-74